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The play is based on part of "Hamlet," focusing on Ophelia, exploring the different temporalities of her death in the space. The Strand theater born in 1918 is a historic landmark composed of a typical proscenium theater that originated from the 19th century. This type of stage only allows one way of communication between the audience and the stage. The stage is not fully activated by its surrounding community.
The project seeks to create a space that produces theatrical rituals for its surrounding communities by dividing the single casino stage into distinct viewing experiences and sensations. This approach allows the audience and performance to respond to each other dynamically.
By redefining the stage to encom pass the entire space between the performance and audiences, questions arise about its true starting point and timing.This project aims to embrace a hybrid viewing experience, fostering a reciprocal relationship between audiences and the stage. By dividing the single proscenium stage into distinct scales of viewing experiences, each capable of standing alone yet responding to others